On the House
The house puts a prize up. You scan the screen, they draw a name at 12:45.
It's free, and it's played in the room — not from home.
The QR on the TV changes every 30 seconds.
Karim scans the screen from his seat. He's in the draw — nothing to install, nothing to pay.
Hassan taps it from behind his counter. Karim's name lands on the TV — the whole room looks up at once.
Karim and Nora, two metres apart, scan each other. A Ping lands on both profiles — their faces, the place, the date. Nobody can manufacture that from home.
Karim comes back the next day to collect at the counter. Prizes don't ship — you come back for them.
Every place holds its fixtures. You know which day to come back.
The house puts a prize up. You scan the screen, they draw a name at 12:45.
Two sides — msemen or harcha. The room decides, the winning side goes to the draw — and tomorrow, the house follows.
Vote — call what happens. Whoever got it right goes into the draw.
The ball moves phone to phone — holding it at the whistle wins.
You scan each other: you each keep yours — both names, the place, the date. Share it or don't.
Every Ping has a public link. Post it on Instagram, send it on WhatsApp — or keep it just on your profile.
One screen, and your whole room looks up.
Everything you just watched, Hassan set off in two taps from his phone.
Your TV brings them in — one QR on the screen, nothing to install.
Every scan is a real customer in your list. Real people, not followers.
Every winner comes back to your counter. One number matters: the return rate.
You pick the prize — a free breakfast is plenty.
For illustrators, musicians, comic artists, cosplay makers, FGC players, vinyl heads, food obsessives. Anyone making something in the Moroccan scene.
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